![]() ![]() Even though Rosenberg proclaimed that with the advent of the New York School Paris had been eclipsed as the fount of new art, his writing was strongly marked by the Existentialist philosophy prominent in Paris at the time.What was to go on the canvas was not a picture but an event." Rather than strive to produce a perfect finished picture, Rosenberg believed the new American painters threw all their energies into the charged moment of creation - what was registered on the canvas was merely a record of that moment. As he put it, "At a certain moment the canvas began to appear to one American painter after another as an arena in which to act. Rosenberg saw Abstract Expressionism as a major rupture within the history of modern art.He believed that the action painters worked almost without regard for conventional standards of beauty: their achievement was an authentic expression of individuality and humanity. His description of them as "action painters," and his stress on their dramatic and personal confrontation with the canvas, provided a compelling image of their creative process, and one that also proved popular with the artists themselves. Harold Rosenberg was the most influential critic and supporter of the Abstract Expressionists in the 1950s. ![]()
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